Rock
04-23-2003, 04:26 PM
I haven’t seen Dario Argento’s PHANTOM OF THE OPERA yet…I’ve basically avoided it after reading plenty of comments from you guys on this site that it is by far his worst movie. But until I do get a chance to see PHANTOM, I must nominate this misfired psychological thriller for 1st place on Argento’s Worst List. Even PHENOMENA was better than this…
The “Stendahl Syndrome” is supposedly an existing psychological condition whereby a person is so overwhelmed by a work of art that he (in this case, she) becomes completely disorientated, even amnesiac. Dario's daughter Asia (ASS-E-UH) is Anna Manni, a rookie detective in Rome who wanders into a museum, suffers the title condition, and becomes the obsession of serial rapist-murderer Alfredo Grossi (Thomas Kretschmann), who likes punching his victims in the face while fucking them, before shooting them in the head (more misogynistic thrills from the King of the Women Haters). Anna is kidnapped and raped not once but twice by Grossi, even “kissed” with a razor blade, but fights back the 2nd time and seemingly kills her assailant. Afterwards, Anna dons a bad blond wig, becomes obsessed herself with blood and rough sex, and alienates her detective boyfriend Marco by having an affair with a handsome French art student. Meanwhile, the murders begin anew…
Fans of Argento will find little to satisfy them here…other than a couple of interesting artistic sequences (one where Anna walks into and out of a painting in her hotel room; the other inside a car where she witnesses the brutal rape-murder of a woman who is shot through the mouth - we see the bullet enter/exit in slow-motion, the killer then looks at Anna through the holes in the woman’s cheeks), STENDAHL is mostly two hours of boredom and bad acting. What really is the “Stendahl Syndrome”? What causes it to occur in Anna? What really is going on inside her head? When she swallows a pill early on in the film, why does the camera follow it down her throat?! Those of us who are fans of Argento are used to casting aside logic and sense and story in favor of his style and color and sheer terrifying thrills but even those are in short supply here…
We’re introduced to this “restored Director’s cut” DVD of STENDAHL by Lloyd Kaufman of Troma Films strolling through a sleazy NYC neighborhood with mike and hand-held camera(man), who makes a point of telling us that our star is one of the 50 most beautiful people in the world. Immediately on the defensive after such a subjective statement, I found myself muttering out loud as the opening credits rolled “maybe so, but has she learned how to act yet?” The answer, sadly, is still NO…
The “Stendahl Syndrome” is supposedly an existing psychological condition whereby a person is so overwhelmed by a work of art that he (in this case, she) becomes completely disorientated, even amnesiac. Dario's daughter Asia (ASS-E-UH) is Anna Manni, a rookie detective in Rome who wanders into a museum, suffers the title condition, and becomes the obsession of serial rapist-murderer Alfredo Grossi (Thomas Kretschmann), who likes punching his victims in the face while fucking them, before shooting them in the head (more misogynistic thrills from the King of the Women Haters). Anna is kidnapped and raped not once but twice by Grossi, even “kissed” with a razor blade, but fights back the 2nd time and seemingly kills her assailant. Afterwards, Anna dons a bad blond wig, becomes obsessed herself with blood and rough sex, and alienates her detective boyfriend Marco by having an affair with a handsome French art student. Meanwhile, the murders begin anew…
Fans of Argento will find little to satisfy them here…other than a couple of interesting artistic sequences (one where Anna walks into and out of a painting in her hotel room; the other inside a car where she witnesses the brutal rape-murder of a woman who is shot through the mouth - we see the bullet enter/exit in slow-motion, the killer then looks at Anna through the holes in the woman’s cheeks), STENDAHL is mostly two hours of boredom and bad acting. What really is the “Stendahl Syndrome”? What causes it to occur in Anna? What really is going on inside her head? When she swallows a pill early on in the film, why does the camera follow it down her throat?! Those of us who are fans of Argento are used to casting aside logic and sense and story in favor of his style and color and sheer terrifying thrills but even those are in short supply here…
We’re introduced to this “restored Director’s cut” DVD of STENDAHL by Lloyd Kaufman of Troma Films strolling through a sleazy NYC neighborhood with mike and hand-held camera(man), who makes a point of telling us that our star is one of the 50 most beautiful people in the world. Immediately on the defensive after such a subjective statement, I found myself muttering out loud as the opening credits rolled “maybe so, but has she learned how to act yet?” The answer, sadly, is still NO…