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Old 09-02-2012, 05:36 PM   #18
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Join Date: Nov 2005
Posts: 1,388
After the Halloween color timing fiasco you'd think that the studios would consult answer prints or the filmmakers before they sign off on transfers of well known films. Yet we see this kind of stuff over and over again. Day for night shots are printed at natural brightness and color balances are incorrectly normalized. Will it ever end?

It's completely apparent that these films are pure product to the studios that release them.
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