Horror Digital  

Go Back   Horror Digital > Reviews > Hi-Def Reviews

Latest Poll
What's your favorite horror film from the Cannon Group?
10 to Midnight
Blood Bath
The Company of Wolves
Contamination
Dracula's Last Rites
Hellbound
Hospital Massacre (X-Ray)
Invaders From Mars (1986)
Lifeforce
Link
Mako: The Jaws of Death
New Year's Evil
The Red Queen Kills 7 Times
Savage Weekend
Schizoid
The Texas Chainsaw Massacre 2
Who's Online
There are currently 8 members and 98 guests. Most users ever online was 799, 04-10-2006 at 07:37 PM.
burieddeep, Chomp, fattyjoe37, JimSmith1981, Mutilated Prey, Myron Breck, Steel76
 Thread Rating: 28 votes, 4.86 average.
Old 02-14-2011, 04:42 AM
Stalker
 
Scored: 7
Views: 9,687
Supernatural: Season 5






Reviewer: Chunkblower
Review Date: February 13, 2010

Format: Blu-ray
Released by: Warner
Release date: September
MSRP: $59.98
Region A
Progressive Scan
Codec: VC-1, 1080p
Widescreen 1.78 | 16x9: Yes
2009



Authorís note: this review contains plot spoilers for seasons one through five of Supernatural.

inline ImageAgainst all odds, Supernatural won me over. What I initially wrote off as a teen-centric slice of ďhorror liteĒ is actually a well written (and occasionally scary) show that delves into the darker corners of (primarily American) folklore. It was smart, stylish and had a great duo (both the characters and the actors that play them) at its heart that managed to the anchor the show. As much as I liked the Supernatural in its early seasons, though, itís hard not to be wary when season four rolls around. Itís difficult for a long running drama to sustain interest and continue with fresh ideas. Either due to writerís fatigue or a cast simply bored and ready to move on, many a show has fizzled out after a few strong seasons.

Is Supernatural still super, or has the magic finally faded? Letís turn the key and see if the engine that fuelled this beast still has a few laps left in it.


The Story

inline ImageAt the end of the fourth season, Sam (Jared Padalecki) had been tricked by Ruby (Genevieve Cortese) into breaking the final seal on Luciferís prison and starting the apocalypse. Although Dean (Jensen Ackles) attempted to stop Sam he was too late and Lucifer was successfully released. Season five beings right after this moment with the brothers miraculously whisked away from Luciferís tomb and waking up on an airplane. There can be little doubt as to who, or what, is responsible for this miraculous lifesaver but an answer to the question ďwhyĒ is still elusive. The crack in the brotherís relationship Ruby caused is wrenched wide open by Samís inadvertent betrayal. To make matters worse, Bobbyís (Jim Beaver) self-inflicted injuries while possessed have him confined to a wheelchair and Castiel (Misha Collins) feels his powers disappear as he is cut off not only from his angelic brothers but from heaven itself.

Finally free, Lucifer quickly acquires a vessel (Mark Pelligrino) while his presence causes the world around him to be thrown into utter chaos. He begins gathering all the resources he needs to end our world, including a half-human, half-demon boy (Gattlin Griffith) whose thoughts materialize into the tangible. Meanwhile, Michael tries to circumvent Deanís unwillingness to act as his host by possessing Sam and Deanís half-brother, Adam (Jake Abel).

inline ImageWhen the boys are warned off from seeking Godís help to stop Lucifer, they come across a new way to open Luciferís prison and send him back: they must defeat the four horsemen of the apocalypse and steal their rings. When combined, the rings form a key that can send Lucifer back to hell and stave of the apocalypse. The only problem is how to force Lucifer through the porthole when he very clearly wonít want to go. The solution forces the brothers into making a devastating decision: Sam will sacrifice himself and act as Luciferís vessel. Once possessed, Sam will try and force Lucifer back into hell, trapping Sam along with him.

Like I said before, I was very pleasantly surprised by the first season of Supernatural. While it had some issues, they were of the type almost unavoidable with a new series. Even with its inherent weaknesses, I thought season one laid a really strong foundation on which to build a potentially fantastic series. Slick production values, a soundtrack loaded with classic rock tracks, stories that explored unfamiliar and arcane lore and a wonderful repartee between the two leads were some of the greatest assets the show had going for it.

inline ImageSupernatural really seemed to hit its stride in season two: the writing was better and the pace, both of the individual episodes and the larger, season long narrative, was tighter. The writers seemed to really get a grip on what worked and what didnít and they started capitalizing on the success of the first season: they obviously had more money to play with and consequently were able to have a lot more episodes set in urban environments. My only concern was that, in wrapping up the story of the yellow-eyed demon so quickly, the writers set themselves up for failure if they didnít effectively introduce a new larger narrative properly. Still, I was positively giddy wondering where the series would go from here.

inline ImageThen came the nearly disastrous third season. Cut short by a writerís strike the series seemed to be spinning its wheels at this point, falling back on a more episodic structure and relying on gimmicky, themed episodes of the ďarenít we clever?Ē variety. This type of complacent, cutesy cleverness is what always prevented me from getting into the Buffy the Vampire Slayer series. To be fair, it did have its moments and a ballsy, shockingly gory season finale that I was 100% sure the writers wouldnít have to sack to follow through with, even a bit...

inline Image...and I was 100% correct. Minute one of the fourth season completely retcons the ending of season three with a literal Deus Ex Machina plot development. The fourth season introduces the apocalyptic plotline that the bulk of season five is concerned with: a battle between heaven and hell with the fate of the entire world supposedly in the balance, but itís still just a series of confrontations with monster of the week enemies. For such an epic story the series still feels small and cramped, having imploded from the larger, more epic feel of season two. The 66 seals of the apocalypse feel like a way to prolong the episodic nature of the series thus far, rather than becoming allowing the series to grow into a full-on, serialized drama. The biggest liability: dispatching potentially interesting characters and plot devices almost as soon as theyíre introduced.

It was clear at this point that the promise of a fantastic series that the first two seasons made was never going to be fulfilled. Thatís not to say that the series is bad, itís really quite good for the most part, but thatís almost in spite of itself. Thereís still too much reliance of cheesy gimmick episodes, like a 30ís monster movie and even a Halloween episode (which is at least more appropriate than season threeís Christmas episode).
Which brings us to season five ...

inline ImageI wasnít really encouraged by the first episode. From minute one, the writing seems off-point from the series usually high quality scripts. Deanís typically convincing tough guy dialogue is traded in for wannabe tough guy quips (ďCram it with walnuts, ugly!Ē Uh, say what?). They writers also opt for immediately splitting the brothers up. Considering that their chemistry and banter is the only thing keeping the show afloat during the weaker patches, this is a horrible mistake (and one theyíve made before, too, so thereís really no excuse for it this time around). Luckily they donít stick with it for more than a couple of episodes. The writers also invoke, once again, on a literal Deus Ex Machina plot device to kick off the season. It just feels lazy to write a season finale without at least having a decent way to start the next season without calling a mulligan. Luckily, around the sixth episode, season five finds its footing, gets back into the season two groove and, rocky start notwithstanding, winds up being the best season since the second.

inline ImageWhile God is not technically outside the scope of Supernatural, it felt like the writers had bit off more than they can chew by introducing the story arc of a Christian apocalypse. Introducing an omnipotent, all powerful being into the mix negates any potential tension; thereís no event so horrible that canít be undone by divine intervention and with such an awesome force at play nothing short of a transcendent ending is going to be a satisfactory capper for the story. It was smart of the writers to, midseason, remove God from the equation and frame the apocalyptic confrontation as a family squabble between brothers. It does two things: it grounds the situation in a defined set of rules that weíre already familiar with and it ups the stakes knowing that there isnít going to be an 11th hour miracle save. Moreover, the way that Lucifer and Michaelís contentious, yet still oddly loving, relationship echoes that of Sam and Dean is a nice touch. Scaling down the scope of the apocalypse is the single smartest decision the writers make all season and season five improves exponentially from that point on.

inline ImageI appreciate the guest appearances of Canadian genre regulars like Emily Perkins and Crystal Lowe, but the episode in which they appear is, overall, too jokey, campy and geek pandering for my taste. Paris Hiltonís cameo in episode five, on the other hand, was genuinely clever instead of the kind of cheap gimmick that too often passes for wit. Playing a demon that imitates people who are objects of idolization, Paris is all smirk and smarm while she comments on her own stardom. Thereís also a House of Wax reference thrown in for good measure and Paris haters can rest easy knowing that, by the end of the episode, she meets a fate as grisly as she did in that movie.

inline ImageWhen first introduced in season four, Castiel felt more like a plot device than an actual character. This season, however, he is really allowed to develop as a character. When he loses his powers and begins to embrace his humanity, his bewilderment and surprise at simple things is hilarious and wholly credible. Of course thereís the obligatory scene where he gets drunk and visits a brothel, although how that turns out is not quite as predictable as the set up would lead you to believe. Itís not the most original plot thread, shades of Arnold learning to be human in T2, but itís entertaining without ever crossing over into full blown camp.

inline ImageThe series also continues its reputation for surprisingly graphic and harrowing gore. I remember the first time I saw RoboCop 2 and how shocked I was at the graphic brain surgery aftermath. I was equally shocked, though for slightly different reasons, by Episode elevenís brain surgery sequence; that scene would give any R-rated flick a run for its money. Hard to believe that commercial TV is permitting violence and gore as graphic as any R-rated film from my childhood.

inline ImageTime travel plotlines and alternate realities are lazy devices for writers who are unable or unwilling to push the series mythology and overarching plots forward. Episode thirteen is an homage to the Terminator: traveling back in time, we meet Sam and Deanís parents, yet again, and a plot is introduced to kill Samís mother, Mary, so that Sam will never be born to be the devilís host. The first time we met the young versions of Ma and Pa Winchester, the episode ended with a surprising, emotional punch. The well is a little drier this time around, though the episode still winds up being far better than it has any right to be. Employing time travel plots has ruined more than a few genre shows and itís disappointing to see them used at all, even when done sparingly. Itís time to stop bouncing back to the elder Winchesterís past.

inline ImageOn the other hand, I really appreciated the introduction of gods from other world religions in episode nineteen. One of the best aspects of the first couple of seasons was the writerís willingness to explore and experiment with lesser known creatures of folklore. As the show started to focus more heavily on the coming apocalypse it became centred on Judeo-Christian mythology. It was nice to see the series open up for a bit and mix in elements from other cultures again. If thereís one thing that disappointed me about this plot line itís the implied cultural superiority of Judeo Christian mythology; the series would have benefitted from elements from other religions being more well woven into the fabric of the entire series rather than acting as fodder for a one-off episode, even one thatís as well done as episode nineteen is.

inline ImageThe season finale is a bittersweet moment. At first, it seems to have managed the impossible: resolving the apocalyptic storyline without cheating. There was even a fair amount of emotion as the brothers prepare for their final showdown and start saying their goodbyes. It also seemed like the writers built in a clever way to continue the story without having to cheat. That all this was accomplished so deftly, is what makes the last shot of the episode is so infuriating. Eliminate that last shot and call it quits and youíd have one of the most satisfying series caps Iíve ever seen. Itís a bittersweet ending thatís totally earned; shame that the writers couldnít help but screw it up. Season five really feels like it was intended to be the last season and, as far as Iím concerned, it is. I mean really, once youíve defeated the devil and staved off global apocalypse, where is there to go from there?


Image Quality

inline ImageWarner is pretty consistently excellent in the presentation of their TV series, and Supernatural season five is no exception on this front. Detail is fantastic and blacks are spot-on. There is really little to complain about: thereís some occasional edginess to high contrast images and I did notice one glaringly awful instance of stair-stepping in episode nineteen. Complaining about one brief moment in one episode out of a twenty two episode season represents the ultimate in nit-picking. This is a consistently excellent presentation and fans will be more than pleased.


Sound

inline ImageStill no hi-def soundtrack provided this season and yet still very little to complain about beyond that. Itís tempting to criticize it for what itís not rather than praise it for what it is, what it is: one of the best Dolby Digital 5.1 tracks Iíve ever heard. The show is expertly mixed and the audio represents this fantastically. Check out the scene in episode four where the army is mowing down the zombies: thereís dialogue, sound effects and music all blaring at the same time, yet every bullet hit is intelligible and the audio never feels clipped or cramped. I can only speculate how a hi-def track would improve on this, but I have a difficult time imagining how it could. Great stuff.

Supplemental Material

A good portion of the supplements for season five will be familiar to fans that have been collecting the series on Blu-ray, although the usual features have been pared down for a single, elaborate feature on disc four. First things first, thoughÖ

inline ImageOn disc one there is a commentary on episode four (ďThe EndĒ) with producers Eric Kripke and Robert Singer, as well as the writer of the episode, Ben Edlund. This is the only commentary for this season and is typical of what youíd expect from a creative team thatís been with a show for five seasons. Although they try to go more into the creative aspects of the episode they donít have a lot of new insight to offer. Still, itís breezy and entertaining enough. On a more technical note: unlike previous seasons, you cannot access the commentary on the fly and subtitles for the show will be disabled while listening. Itís odd and kind of annoying that theyíd change the options drastically so late in the game.

Disc two has an ďUnaired SceneĒ (2:11) from episode nine (ďThe Real GhostbustersĒ). Itís not really a scene but a collection of short out takes of actor Rob Benedict riffing on stage. If youíve watched a line-o-rama from one of Judd Apatowís DVDs, then you get the idea. This feature probably would have been better served had it been incorporated into the actual gag reel on disc four.

There are no features on disc three.

inline ImageThe majority of features find their home on disc four. First up is the Ghostfacers Web Series (31:34). A collection of ten web-isodes, it tells the tale of recurring guests Harry Spangler (Travis Wester) and Ed Zeddmore (A.J. Buckley) (har har, I see what you did there) as they and their team investigate the ghost of an actress that haunts a rundown theatre. Iím sure these guys have their fans but their contribution to the series is not really to my taste: the acting is broad, the humour self-conscious and obvious, at times bordering on slapstick. On the plus side, Mircea Munroe as Ambyr is not at all hard on the eyes and makes the feature worth watching at least once.

The usual Gag Reel (10:18) is included, a bit longer this time but still consisting of the usual collection of flubbed lines and mugging for the camera. It is what it is. Oddly, while the profanity has been bleeped out and Jensen Ackles flipping the bird is blurred out, shots of him humping the air or pantomiming a bj are included completely uncensored.

inline ImageThe meatiest supplement is the interactive video collection Supernatural: Apocalypse Survival Guides Ė Bobbyís Exclusive Video Collection. It starts with Bobbyís library, which acts as a point and click interface from which you access the video supplements. If youíve viewed the Nightmare Encyclopedia in the Nightmare on Elm Street DVD set from 1999 then youíll instantly know what to do.

The interface works fine but it feels decidedly last-gen, especially when compared to the interactive map included on the Blu-ray of season one. The interface for The Survival Guide is tiresome and doesnít really take advantage of the truly interactive experience Blu-ray technology can offer. It would have been nice if some sort of index or ďplay allĒ option had been included for those not interested in navigating through the convoluted menus.

inline ImageThereís a little less than two hours of clips in this section. Included among them is parapsychologist Barry Taff talking about the Doris Bither case (which inspired both the book and movie version of The Entity). There times when it looks like footage has been appropriated from other sources, yet other footage looks pretty clearly staged (the clip with the priest discussing Lucifer and Michael, for instance). Itís an oddball assortment of mostly interesting stuff and though itís supposed to be background information to support the entire series, more of the material should have been more directly relevant to season five and given the meta, in-show nature of most of the clips, the behind the scenes and interview clips feel really out of place. Still, the substance of the supplement is substantial (even if only tangentially related to the show) and in the final analysis, thatís what really counts.


Final Thoughts

inline ImageDespite some caveats, the fifth season of Supernatural still ranks as one of the strongest in a line-up of almost uniformly solid seasons. The audio and video quality is typically top-notch and fully exploring the supplemental package adds hours of entertainment value. While youíre going to need to brush up on the first four seasons before diving into seasons five, the Blu-ray set of Supernatural : The Complete Fifth Season is highly recommended.


Rating

.
Movie - B+

Image Quality - A-*

Sound - A-

Supplements - B




*Because of the quality of the HD format, the clarity, resolution and color depth are inherently a major leap over DVD. Since any Blu-ray will naturally have better characteristics than DVDs, the rating is therefore only in comparison with other Blu-ray titles, rather than home video in general. So while a Blu-ray film may only get a C, it will likely be much better than a DVD with an A.

Technical Info.
  • Colour
  • Running time - 15 hours and 15 minutes
  • Not Rated, 14A
  • 4 Discs
  • Chapter Stops
  • English 5.1 Dolby Digital
  • English SDH subtitles
  • French subtitles
  • Spanish subtitles

Supplements
  • ďSupernatural: Apocalypse Survival GuidesĒ Bobbyís Video Collection
  • ďGhostfacersĒ Web Series
  • Producer/Writer Commentary on Episode 4 ďThe EndĒ
  • Unaired Scene from Episode 9 ďThe Real GhostbustersĒ
  • Gag Reel

 

 

Extras
New Article
New Reply

Hi-Def Reviews
« Previous | Next »

Old 02-14-2011, 02:00 PM
Stalker
Excellent review. I've managed to catch exactly zero episodes of season 5, looks like I need to pick it up.

Also, I never realized that the lackluster season 3 coincided with the writers strike. So THAT'S why it was crap!
__________________
"Ray, do you want 'em to take your family, tear their livers out and make some kind of satanic p‚tť?"
 
 
Old 02-15-2011, 02:17 AM
Don't Monkey With Me!
A great season that ended a fantastic 5 year storyline. I kind of wish they had ended it with season 5 as originally planned, as season 6 hasn't been that great!
 
 

Posting Rules
You may not post new articles
You may not post replies
You may not post attachments
You may not edit your posts

Smilies are On
[IMG] code is On
HTML code is Off


Main > Reviews > Hi-Def Reviews
All times are GMT +1. The time now is 02:26 PM.


Portal By vbPortal Version 3.8.1
Copyright ©2000 - 2014, vbPortal. All Rights Reserved.